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Graphic Design: Is It Art?

Graphic Design: Is It Art?

Rachel Klein

Art Director

Graphic Design: Is It Art?

Referring to our work as “art” is uncomfortable for many of us in creative fields. Design and art are closely related in my mind but looking at the actual definitions makes it clear that one has much less intellectual significance, for lack of a better term. So why do designers and other commercial artists avoid “art” and instead favor terms like “creative?” Why do we call ourselves “designers” instead of “artists?” Does monetizing our work take it out of the realm of “art?”

Can Design be Art?

Can graphic design ever live up to the label “art?” To me, “art” implies self-expression where “graphic design” is a means to an end: selling something for the client, be it their brand, message, service, or product. We (often) create things on demand with specific parameters or goals in mind, frequently provided with a concept or name or starting point. Clearly this is not the sort of emotional release that we think of with Pollack or social-political reflections of Basquiat. This supports the argument that creatives are not artists, but when we look at some of the most beautiful branding and design work, how could it be anything other than art? The best examples of design are beautiful, evocative, and emotional. One scroll through the Print Magazine website indisputably confirms that designers are constantly producing legitimate art. 

Products on the shelf
The best examples of design are beautiful, evocative, and emotional.”

Art Belongs to You, Design Doesn’t

My partner is also a commercial artist, but he works for himself. His art is in his style almost exclusively, but the parameters are still defined by the client. This is where the line blurs even further. He creates for others, on commission and calls those creations his design work. When he paints for pleasure with no guidelines and no promise of income, he proudly declares his latest creation a work of art. So maybe art vs. design depends on intent. Commissioned work is commercial design and a creation of passion made for no one but ourselves is art.

A Beautiful Intersection

Like everything pertaining to art, declaring something art over design, or design over art is completely subjective. For creatives, it’s a personal line that we draw between our art and our design work, but I posit that they are one and the same. The viewer will decide, likely without regard for the creator’s feelings, so self expression and monetized creations fall under one umbrella. The viewer decides for themselves if it is art or advertising or sometimes, gloriously, both.

Jason’s Take

Rachel elevates the value of advertising in a brilliant way. Why is “advertising” so often labeled as trite, condescending, and sometimes even punishing? “Stop seeing ads, pay for this app.” Both art and advertising are powerful in the right time and place, and for the right person. Therein lies their purpose. I most often think of myself and other designers as artists. To Rachel’s point, art is the ingredient that adds personalization and relevance. An artist’s self-expression will always express something to others. Artists cannot lay claim to what that expression must mean to others. Neither artists nor designers can dictate; we all interpret art to our individual circumstances, experiences and needs. Great artists and designers act as adept tour guides, getting us to a place swiftly and impactfully.

Creative Exercise: Album Art

Creative Exercise: Album Art

Rachel

Rachel Klein

Art Director

Creative Exercise: Album Art

To begin this creative exercise, I invited some of our team members to design an album cover for one of their favorite artists. There were no strings attached other than to complete our designs within the week. You’ll see how this exercise ties into the importance of finding fun projects, and making time to practice.

“We can fuel our brains with museums and study,
but if your taste grows faster than your skills,
that might turn you into a critic instead of a creative.”
Products on the shelf

The Importance of Practice

Practice makes perfect. We all keep that adage in mind as we learn a new skill or pursue a new interest, but once we consider ourselves proficient or reach a professional level, we tend to forget the importance of practice. Without practice, not only will we stop growing—our skills can deteriorate. Creativity is part of the brain, and that muscle must be exercised.

Staying Creative

We can fuel our brains with museums and study, but if your taste grows faster than your skills, that might turn you into a critic, rather than a creative. So, to flex our creative muscles outside work’s bounds, we need creative projects that don’t feel like a chore. The trick is to find fun projects! Maybe for you that means a competition, or something charitable in the service of others, or it combines several interests and will never see the light of day or public critique. I have dabbled in each of these project types over the last year, and while all of them challenged me, being free of themes and criteria and other people’s opinions is when I truly rediscovered the joy of making something that is 100% me and mine.

Products on the shelf
Maddie-PlainWhiteTs

No Limits

Creative exercises have none of the limits imposed by commercial design. No specifics and no purpose. Design solves problems and communicates something specific but making album art for my favorite songs does exactly none of those things! It’s just fun and easy and gets me back in touch with the artist that often takes the back seat to my designer brain.

Keeping Momentum

Since our Inktober challenge produced so many fun sketches, I asked the Targa team to join me in a quick album art exercise to keep the creative momentum up. It was super cool to see how each person approached the task. We work so well as a team, almost a hive mind on some projects, unified by some brilliant concept or design element, that seeing my co-workers doing their own thing (while talking good tunes like we do) is insightful and a great reminder of the impressive creatives I am lucky enough to work alongside!

Rachel-MazzyStar

Audience Missing the Message Because There’s Too Much Message? Minimalism in Design

Audience Missing the Message Because There’s Too Much Message? Minimalism in Design

Rachel

Rachel Klein

Art Director

Audience Missing the Message Because There’s Too Much Message? Minimalism in Design

I enjoy art and design in all its forms. Good design is so diverse and dynamic, it really does not have any rules. But if I could make a rule, or even just a case for minimalism, I believe it is central to effective design and viewer/user experience.

While I’m sure many are bored with stark Scandinavian interiors and nonplussed by the squares of Mondrian, incorporating minimalism into your design thinking will lead to more streamlined message. One that your audience is going to comprehend quickly and easily recall.

Minimalism really took off post-World War II at the height of the modern art movement, and is still used to benchmark what is considered “modern” today. While minimalism is not the most exciting or flashy aesthetic, the principles of minimalism have had widespread influence on visual design across the board. When applied to graphic design the primary considerations are wide open negative space, streamlined content and functional visuals. Leaving off decorative elements and superfluous content that distracts from the message and frustrates the audience. The internet is a hectic and loud place with a lot competing for your attention, so when you land on a website that has an uncluttered and simple to navigate interface, you’re more likely to spend time on it. It is always tempting to utilize every precious inch above the fold, but does that actually pull your viewer in? Or does it send them clicking away from the noise without even bothering to skim over the excessive information?

1959 ThinkSmall VW ad

Famous 1959 VW ad by Helmut Krone changed the advertising game. The Think Small campaign was sincere and relatable during a time when ads were typically full color fantasies.

Less Is More!

Jason’s Take

Marketers and designers, please take this to heart. Negative space is the opportunity for your customers to fill in their own mental blanks. I love the psychology of it all, and your marketing message will resonate emotionally if the viewer can easily digest your message. I know, I know, your services are packed with so many amazing features and benefits. But the more you pack in, the more you’re monologuing instead of dialoguing. I really like Rachel’s perspective on this, and she applies the power of “negative space” to a variety of solutions, both on and off printed canvas.